CHARLES MOZLEY: INTO THE LIGHT

30th April – 9th May 2025

We have bought and sold many works by twentieth century British painters over the last few decades, yet still we come across painters who, despite evident talent and past fame, are new to our experience. A solitary work in a saleroom can spark a dealer’s curiosity but the discovery of a large collection hidden away is positively intoxicating. Our visit to the studio collection of the late Charles Mozley last year left us reeling, a collection of finished paintings spanning nearly six decades and unseen for over 30 years. It is naturally important for the understanding of an artist’s vision to see the greatest breadth and quantity of his work. In the discovery of a cache of this quality and number we can re-evaluate Mozley as an artist in an exhibition that would otherwise take many years to gather piecemeal on the secondary market.

In a period where so many estate and studio collections have long been dispersed, the discovery of a collection by an artist of Charles Mozley’s stature is rare indeed. A career largely eschewing relationships with galleries and art dealers in a time when self-representation was unusual, left no buzzards circling after his death and the paintings were carefully stored and tended by his surviving family until our current exhibition.

Born in Sheffield, he showed an early artistic aptitude such that he won a scholarship to a London art school at eleven years old. Sadly, his mother’s MS made it impossible to take up the place but he later entered the College of Arts & Crafts in Sheffield where he studied under James Anthony Betts, staying on to teach there himself for a year after his graduation. That year he also held his first solo show in a commercial gallery before beginning a scholarship post graduate course at the Royal College of Art in 1933.

On graduating from the RCA painting department in 1936 he was quickly taken up by two of leading commercial patrons of the arts, Frank Pick at London Transport and Jack Beddington at Shell. This supplemented wages from teaching anatomy and lithography at the Camberwell College of Art and the South London Working Man’s College. In 1938 he married Eileen Kohn, a fellow student at the RCA and sister of the artist Edwin Ladell, moving to Harcourt Terrace in Chelsea.

At the outbreak of war Mozley joined the Royal Engineers and like many fellow artists was transferred to the Camouflage Unit in Leamington Spa. His first commanding officers were Frederick Beddington (brother of Jack and post-war director of Wildenstein Gallery) and the fashion designer Victor Steibel. He would travel with colleague Edward Seago on painting visits and with whom he remained friends for many years. He approached the War Artists Advisory Committee but his lack of major exhibitions before the war ruled out his appointment as an official war artist. However, they recognised his abilities and transferred him to Military Intelligence where he rose to the rank of Lieutenant Colonel. He adapted well to the highly secretive world and used his skills of observation and the effects of light and colour in concealing the build-up of troops and equipment during the preparations of Operation Overlord.

His war-time connection served him well in the subsequent peace. Victor Steibel and his partner, the composer Richard Addinsell, made many introductions in the theatre and film world that led to numerous commissions. He designed a number of theatre and film posters, stage sets, costumes and programmes for Sir Alexander Korda between 1946 and 1955. In the literary realm he produced more than three hundred book jackets and over a hundred illustrations for books, magazines and newspapers. His work appeared in the associated ephemera for all the principal national events of the era - The Royal Wedding, the Festival of Britain, Schools Prints, Lyon’s Lithographs and the Coronation paintings.

Throughout he continued to paint and exhibit, contributing regularly to commercial galleries and the Royal Academy Summer Exhibition. His commercial posters were commissioned by the great corporate giants of the day.

His work is held in the permanent collections of the Victoria & Albert Museum, The Tate Gallery, The Imperial War Museum and The British Museum.

PALL MALL GALLERY
21-22 Pall Mall
London
SW1Y 5LP

Monday to Friday: 10AM - 6PM
Saturdays: 11AM - 2PM
Closed bank holidays

+44 (0)20 7399 9999
enquiries@panterandhall.com

Sold
Reserved
If you are interested in any of the reserved paintings, it is worth contacting the gallery as they may become available.

Sold
Charles Mozley (1914-1991)

The Panthéon from the Seine

  • Oil on Canvas
  • Framed
  • H38 x W48 ins (97 x 122 cms)

£12,750

Charles Mozley (1914-1991)

The Coronation Coach In Whitehall, 1953

  • Oil on Panel
  • Framed
  • H49 x W39 ins (124 x 99 cms)

£35,000

Charles Mozley (1914-1991)

Notre Dame from the Pont de Sully

  • Oil on Canvas
  • Framed
  • H39 x W49 ins (99 x 124 cms)

£12,750

Charles Mozley (1914-1991)

Barmaid at Carvosso's

  • Oil on Canvas
  • Framed
  • H36 x W44 ins (91 x 112 cms)

£12,750

Charles Mozley (1914-1991)

Une Fille de Belle Époque

  • Oil on Canvas
  • Framed
  • H24 x W34 ins (61 x 86 cms)

£8,250

Charles Mozley (1914-1991)

Flowers from the Garden

  • Oil on Canvas
  • Framed
  • H26 x W22 ins (66 x 56 cms)

£5,500

Charles Mozley (1914-1991)

Winter Snow, Trafalgar Square

  • Oil on Canvas
  • Framed
  • H39 x W49 ins (99 x 124 cms)

£14,500

Charles Mozley (1914-1991)

A Country Lane, Sussex

  • Oil on Canvas
  • Framed
  • H36 x W44 ins (91 x 112 cms)

£9,750

Charles Mozley (1914-1991)

Étretat, Normandy

  • Oil on Board
  • Framed
  • H31 x W36 ins (79 x 91 cms)

£8,250

Charles Mozley (1914-1991)

Du Café

  • Oil on Canvas
  • Framed
  • H37 x W47 ins (94 x 119 cms)

£12,750

Charles Mozley (1914-1991)

The Feather Boa

  • Oil on Canvas
  • Framed
  • H25 x W21 ins (64 x 53 cms)

£3,250

Charles Mozley (1914-1991)

Richmond Railway Bridge

  • Oil on Board
  • Framed
  • H34 x W41 ins (86 x 104 cms)

£9,250

Charles Mozley (1914-1991)

The 1977 Silver Jubilee Fleet Review From Rowley Atterbury's Yacht

  • Oil on Canvas
  • Framed
  • H39 x W49 ins (99 x 124 cms)

£17,500

Charles Mozley (1914-1991)

La Falaise D'Amont From The Beach, Étretat

  • Oil on Canvas
  • Framed
  • H37 x W47 ins (94 x 119 cms)

£12,750

Charles Mozley (1914-1991)

Sunday on the River, Richmond Bridge

  • Oil on Canvas
  • Framed
  • H39 x W49 ins (99 x 124 cms)

£12,750

Charles Mozley (1914-1991)

Distant Campanile, Tuscany

  • Oil on Canvas
  • Framed
  • H36 x W44 ins (91 x 112 cms)

£8,750

Charles Mozley (1914-1991)

Les Deux Magots, Paris

  • Oil on Canvas
  • Framed
  • H37 x W47 ins (94 x 119 cms)

£12,750

Charles Mozley (1914-1991)

The Thames at Rotherhithe

  • Oil on Canvas
  • Framed
  • H39 x W49 ins (99 x 124 cms)

£12,750

Charles Mozley (1914-1991)

Pleasure Craft near Richmond Railway Bridge

  • Oil on Canvas
  • Framed
  • H39 x W49 ins (99 x 124 cms)

£13,250

Charles Mozley (1914-1991)

Net Drying Huts, Hastings

  • Oil on Canvas
  • Framed
  • H36 x W44 ins (91 x 112 cms)

£8,750

Charles Mozley (1914-1991)

Strand On The Green From Kew

  • Framed
  • H36 x W44 ins (91 x 112 cms)

£8,750

Charles Mozley (1914-1991)

Seated Model

  • Oil on Canvas
  • Framed
  • H36 x W44 ins (91 x 112 cms)

£8,750

Reserved
Charles Mozley (1914-1991)

The Artist's Wife and three of their Children in the Park

  • Oil on Canvas
  • Framed
  • H21 x W25 ins (53 x 64 cms)

£5,750

Charles Mozley (1914-1991)

Riva Degli Schiavoni, Venice

  • Oil on Canvas
  • Framed
  • H36 x W44 ins (91 x 112 cms)

£8,750

Charles Mozley (1914-1991)

Barge on the River Meuse, France

  • Oil on Canvas
  • Framed
  • H39 x W49 ins (99 x 124 cms)

£12,750

Charles Mozley (1914-1991)

Pali Di Casada, Venice

  • Oil on Canvas
  • Framed
  • H32 x W44 ins (81 x 112 cms)

£8,750

Reserved
Charles Mozley (1914-1991)

A Masquerade, Venice Carnival

  • Oil on Canvas
  • Framed
  • H39 x W49 ins (99 x 124 cms)

£12,750

Charles Mozley (1914-1991)

A Break in the Clouds, The Silver Jubilee Fleet Review

  • Oil on Canvas
  • Framed
  • H39 x W49 ins (99 x 124 cms)

£17,500

Charles Mozley (1914-1991)

A Sunday Stroll

  • Oil on Canvas
  • Framed
  • H23 x W27 ins (58 x 69 cms)

£6,750

Charles Mozley (1914-1991)

A Gondola on the Grand Canal, Venice

  • Oil on Board
  • Framed
  • H31 x W43 ins (79 x 109 cms)

£8,750

Charles Mozley (1914-1991)

A Portrait of Joyce Grenfell on Stage in the 1947 Review 'Tuppence Coloured’

  • Oil on Canvas
  • Framed
  • H23 x W19 ins (58 x 48 cms)

£6,750

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